During that time America’s place in the world was undergoing a dramatic change. James’ early studies in contrast- The American, “An International Episode,” Daisy Miller, and especially The Portrait of a Lady-would prove to be as essential to the process of defining what it means to be an American as Tocqueville’s Democracy in America, Emerson’s “Self Reliance,” and Whitman’s Leaves of Grass.īut in the years between Isabel Archer’s arrival at Gardencourt in the last chapter of The Portrait of a Lady (1881) and Lambert Strether’s arrival at Chester in the first chapter of The Ambassadors (1903)-sometimes known as James’ “middle period”-the author turned his attention to other things, including an ill-fated attempt to write for the theater. But to this day no other author is as closely associated with the figure of the American abroad as James is. James was not the first novelist to send Americans back to Europe to see what would happen when New World manners and morals came into contact and conflict with those of the Old World, nor would he be the last. “Ah,” Miss Gostrey sighed, “the name of the good American is as easily given as taken away! What is it, to begin with, to be one?”Īt the beginning of the twentieth century Henry James returned to the international theme, the subject that he had made his own and had made him famous.
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